Gandhi Talks review: Gandhi Talks Whispers the Loudest Truths

Gandhi Talks film critique: Gandhi Talks is a silent feature featuring Vijay Sethupathi and Arvind Swami that delves into the influence of money on human principles. The film’s distinct wordless storytelling prompts audiences to contemplate ethics in turmoil.

Film originated in quiet. Long ago, before soundtracks became grand and dialogues carried the weight, tales were conveyed through expressions, visuals, and emotions. From the filmmaking brilliance of Satyajit Ray, the playful antics of Charlie Chaplin and Buster Keaton, to the lyrical simplicity of Kamal Haasan in Pushpaka Vimana, silent films relied on their viewers to experience emotions instead of being explicitly informed. Kishore Pandurang Belekar’s Gandhi Talks draws on that legacy with exceptional assurance, highlighting that when performances are heartfelt, the script is well-crafted, and the music flows effortlessly, words are no longer necessary.

Featuring Vijay Sethupathi, Aditi Rao Hydari, and Arvind Swami in prominent roles, Gandhi Talks is a two-hour film without dialogue that remains engaging and never seems hollow or excessive. Rather, it is engaging, contemplative, and unexpectedly captivating. It demonstrates that silence, when employed purposefully, can surpass the volume of a hundred jokes or speeches. The movie has faith in its audience, and that faith is rewarded.

When Silence Speaks Louder Than Words: Gandhi Talks and the Currency of Conscience

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Located in Mumbai, arguably one of the noisiest cities globally, opting to narrate this tale without dialogue seems nearly defiant. Mumbai pulsates with sound. The blaring, the throngs, the incessant buzz of activity, drive, and disorder. And yet, Gandhi Talks transforms this city into a tableau of serene reflection. As the movie progresses, the quiet starts to seem healing. You begin to realize how turbulent your life is and how infrequently you take a break. Viewing the movie turns into a life-changing experience, akin to a meditation in which you are entirely absorbed by the screen

The title Gandhi Talks carries a sense of irony and depth. The expression “paisa bolta hai” has been a part of our cultural lexicon for a long time, indicating that money often outweighs morals. In this instance, Gandhi speaks quite directly. Not only through ideals, but also through currency. The characters refer to money not in rupees; they talk in Gandhis. It is a sharp and insightful commentary on how Mahatma Gandhi’s face, formerly an emblem of principles, now signifies authority, advantage, and endurance. However, as the movie continues, the profound Gandhian philosophy subtly surfaces. For society to evolve, that transformation must start from within. Beliefs are important, integrity is important, and that is where the movie ultimately concludes.

Currency is the unseen main character of the narrative, influencing lives in distinctly diverse manners. Arvind’s Boseman symbolizes abundance. He possesses riches, a caring family, an impressive home, and a successful career. And then, systematically, everything falls apart. He loses his daughter and wife in an accident, followed by his mother. Legal cases accumulate, his career plummets; his fortune and home vanish suddenly, as he contends with legal disputes. Observing a man who possessed everything fall into a state of vulnerability is profoundly disturbing and distressing.

Contrastingly, Vijay Sethupathi portrays Mahadev, a character who possesses nothing. The term ‘broke’ seems inadequate to capture his situation. He is unable to nourish his ailing mother, pilfers electricity from neighbors to get by, and can’t even buy a cup of tea for the woman he adores. His partner (Aditi) wishes to wed him, but affection alone can’t satisfy hungry stomachs. While searching for employment, he consistently comes across corruption. A realization sets in — Gandhi speaks, money speaks. And ethics frequently gets overshadowed in the process

As these two lives cross paths, the film elegantly examines how remarkably distinct realms can still be influenced by the same currency. At that crossroads resides the film’s most profound reality: even noble intentions can falter when burdened by desperation. When money comes into the space, ethics may not always leave, but they are certainly challenged.

There are instances of serene brilliance interspersed. A notable scene features Vijay Sethupathi and Aditi Rao Hydari sharing a romantic moment from their balconies, ending with a forehead kiss from afar. It is soft, creative, and emotionally moving. A notable scene is the theft at Arvind’s residence, where inexperienced Mahadev comes across items of minimal actual worth, while a skilled expert easily departs with genuine treasures. It offers a nuanced reflection on experience, avarice, and delusion.

The background music is outstanding, precisely understanding when to intensify and when to diminish. Incorporating older songs with original works enriches the emotional depth without overshadowing the story. Vijay Sethupathi shines in the film, expressing every tiny emotion with great sincerity. He also impresses with a charming dance routine. Arvind Swami is exceptional as ever, evoking a heartache over how rarely we see this actor on-screen.

Aditi Rao Hydari shines brightly, her eyes and expressions conveying everything. She contrasts with Mahadev, and once again, her act illustrates how potent restraint can prove to be. Mahesh Manjrekar and Usha Nadkarni contribute their expertise, while Siddharth Jadhav leaves you laughing with his exceptional sense of humor

In a time of infinite videos, bustling airports, and phones perpetually demanding focus, Gandhi Talks seems nearly revolutionary. It is pleasant to the ears, relaxing to the mind, and profoundly touching to the heart. Kudos to the filmmakers for having the courage to conceive a movie like this. Indeed, it is specialized and might appeal to a particular audience, yet movies like these deserve to be produced, honored, and safeguarded. They instill hope in emerging writers and filmmakers that uniqueness still holds significance.

If a writer who relishes music at maximum volume can be touched, then undoubtedly, anyone is capable of the same. And that might be the most significant accomplishment of Gandhi Talks.

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